This noh pieces contains many interesting essences , including the dynamic change from the ranbyoshi (dancer takes measured steps in triangular formation to match the beat of the kotsuzumi [shoulder drum ] – the lengthy pauses have caused radio broadcasting incidents , due to the maximum time of silence allowed being exceeded ) which is a contest of nerves with the kotsuzumi to the kyu no mai (high-tempo dance ), the superb timing for the koken (stagehands ) to drop the bell after the shite jumps into it , and the shite changing costume inside the bell unassisted to appear as the nochi-jite (lead role of latter half ). 小鼓との神経戦である乱拍子（間をはかりながら小鼓に合わせ一歩ずつ三角に回る；大きな間をとるので、ラジオ放送では放送事故 - 無音時間過長 - になったこともある）から一転急ノ舞になる迫力、シテが鐘の中に飛び込むや鐘後見が鐘を落とすタイミング、鐘の中で単身装束を替え後ジテの姿となる変わり身と興趣が尽きない能である。
This noh pieces contains many interesting essences , including the dynamic change from the ranbyoshi (dancer takes measured steps in triangular formation to match the beat of the kotsuzumi [shoulder drum ] – the lengthy pauses have caused radio broadcasting incidents , due to the maximum time of silence allowed being exceeded ) which is a contest of nerves with the kotsuzumi to the kyu no mai (high-tempo dance ), the superb timing for the koken (stagehands ) to drop the bell after the shite jumps into it , and the shite changing costume inside the bell unassisted to appear as the nochi-jite (lead role of latter half ). 小鼓との神経戦である乱拍子（間をはかりながら小鼓に合わせ一歩ずつ三角に回る；大きな間をとるので、ラジオ放送では放送事故 - 無音時間過長 - になったこともある）から一転急ノ舞になる迫力、シテが鐘の中に飛び込むや鐘後見が鐘を落とすタイミング、鐘の中で単身装束を替え後ジテの姿となる変わり身と興趣が尽きない能である。
