can i tell a story as a monologue ? 今日バルサミコ酢ソースのかけてるサンドイッチ食べたんだけどさ、 よく合わなかったわ
can i tell a story as a monologue ? おいしん簿ー いーかげんにシナサイ
mandan is in the style of a monologue , while rakugo is mostly occupied with the dialogue between several characters , which could be said to be the remarkable characteristic of rakugo . しかし、漫談が聴衆に語りかける話法を用いるのに対し、落語は主として登場人物同士の対話によって話が進められてゆくことがひとつの大きな特徴といえるであろう。
the most famous are the sorrowful words by katsumoto and shigenari at ' nagara zutsumi ,' a monologue by katsumoto of scene one , act six , ' associated with the name of the family in the front yard ' as mentioned above starting , and long words by yodogimi in the third act two . 最も有名なのが、「長柄堤」の且元、重成の悲痛な台詞・前述の第6幕第1場における且元の「我が名に因む庭前の」の独白、第2幕第3場の淀君の長台詞である。
in rakugo the main topic centers around the dialogue between the characters , and the remainder is minimal background description (called ji ) or a monologue which is separate from the main story and has the aim of relaxing the audience , though the structure of the introductory makura is different . 枕の部分を別とすれば、落語の本筋の部分では、必要最小限の情景の叙述（「地」といわれる部分）と、演出上、話からはなれて緊張を解くなどの目的で、「語りかけ」に戻ることもあるが、主として、物語は対話で成り立っている。
dialogues in the mokuami-cho tone are called ' yaku-harai ' (a 7-5 arrangement of syllables set to music in a special lilting rhythm ) in the kabuki terminology , which are spoken in the rhythmical seven-five syllable meter , exploiting rhetorical devices for waka poetry such as kakekotoba (a type of pun that uses a word in such a way as to suggest two or more meanings ) and engo (a related or associated word ), and a monologue or a dialogue among a plurality of actors spoken in the mokuami-cho tone can produce a similar effect to that of an aria or duet in an opera . 歌舞伎界では「厄払い」と呼ばれ、リズミカルな七五調に掛詞・縁語を駆使し、一人で或いは複数で語ることでオペラのアリアや二重唱のような効果を上げている。
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