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viiの例文

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  1. It is said that his designation as a living national treasure was given for the contributions he had made as a buyo performer , and even today mitsugoro bando vii is known as ' odori no kami-sama ' (literally , the god of dance ).
    人間国宝に認定されたのは舞踊家としての貢献が評価されたものだといわれ、七代目は今日でも「踊りの神さま」として知られる。
  2. Hakuo matsumoto had masculine style of acting that perfectly combined the bold presence of his father , koshiro matsumoto vii , and the maruhonmono (kabuki dramas adapted from the japanese puppet theater ) training of his father-in-law , kichiemon nakamura i .
    男らしい風格のある芸風で、父?七代目幸四郎の豪快さと岳父?初代吉右衛門の丸本物の素養とが見事に融合したものであった。
  3. In supporting players as well there were many versatile actors such as ichizo ichikawa iv (yondaime ), hakotora ichikawa i (shodai ), kichisaburo arashi vii (nanadaime ), enjo ichikawa i (shodai ), okuzan asao iv and kasen nakamura ii .
    脇も四代目市川市蔵 (4代目)、初代市川箱登羅 (初代)、七代目嵐吉三郎 (7代目)、初代市川筵女 (初代)、四代目浅尾奥山、二代目中村霞仙ら芸達者がならんでいた。
  4. With a great originality , he established a form of ghost stories with matsusuke onoe i , and dramatic elements of kabuki play with danjuro ichikawa vii , kikugoro onoe iii , hanshiro iwai v , and koshiro matsumoto vii .
    独創性に富み、尾上松助 (初代)とともに怪談を、市川團十郎 (7代目)?尾上菊五郎 (3代目)?岩井半四郎 (5代目)、松本幸四郎 (7代目)らとともに歌舞伎歌舞伎狂言の演劇的要素をそれぞれ確立した。
  5. At kojo (a ceremony to announce that an actor takes a new stage name ), only three people were there , including kichiemon nakamura i , utaemon , and fukusuke (present shikan nakamura vii ) in front of a gilded folding screen , but the kojo itself was done by kichiemon alone .
    口上には金屏風を前に、中村吉右衛門 (初代)、歌右衛門、福助(現?中村芝翫 (7代目))の三人のみで臨み、口上そのものは、吉右衛門のみが行った。

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