although he also participated in the maruyama school , he mentioned his disapproval regarding the birds drawn by maruyama school artists that those were not truly depicted as live birds yet . 円山派の流れに立つが、円山派の描いた鳥に対しては、「十分、生きた鳥になりきっていない」と不満を言っていた。
it truly depicted a common image of lords of the kinai region transforming from the unarmed existence to the those armed with samurai and military tools within a span of several decades , and became a servant that was similar to gokenin and jito (land steward appointed by the central military government to each of the manors into which the countryside was divided ) that protected residences during kamakura period . その何十年かの間に、畿内の領主の一般像が、武装せぬ存在から、武士と武具を常備し、屋敷の守りも固める鎌倉時代の御家人・地頭にも似た、あるいはその御家人の姿に変貌していったことを如実に物語っている。
