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an actor preparesの例文

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  • In " An Actor Prepares,"
  • Read Stanislavsky's " An Actor Prepares " and anything you can find on the war in Bosnia.
  • For a moment, Ms . Berry stands off to the side, breathing deeply, hand over her face, an actor preparing.
  • They were introduced by a translator, Elizabeth Hapgood, with whom he would later collaborate on " An Actor Prepares ".
  • Tupper acted in several off-Broadway plays, including " An Actor Prepares " and " After the Rain ".
  • Actually, he's an actor preparing for the opening, on Dec . 10, of his directorial debut, " The War Zone ."
  • Tortsov, the Director, explains all these art forms in great detail, and thereby transforms " An Actor Prepares " into a type of textbook.
  • His translation of " An Actor Prepares " of Stanislavski, co-authored by Zhang Min, was the first systematic work on art performing in plays in China.
  • Students are required to read Stanislavski's book " An Actor Prepares ", as well as William Esper's " The Actor's Art and Craft ".
  • The Group was devoted to the study and worship of Stanislavsky, who at the time was known in the United States mostly through his books ( " An Actor Prepares " and " Building a Character " ).
  • The first half of " An Actor's Work ", which treated the psychological elements of training, was published in a heavily abridged and misleadingly translated version in the US as " An Actor Prepares " in 1936.
  • While at the Institute, he attended the Berlinale Talent Campus 2007 and made his documentary'An Actor Prepares', about a struggling actor, who after seven years decides to give himself 15 days to make it in the film industry or return home.
  • Lewis, who was known to almost everyone in the theater as Bobby, believed that an actor preparing a role should determine what he would do if he were his character, " in that time, in that place, in that play ."
  • And then, like an actor preparing for his entrance, the young man positioned his dancing-stick-cum-crutch at the elbow, assumed a broken-down posture and began his well-rehearsed hobble into traffic, stretching out a hand for alms.
  • In this section, consisting of 18 chapters, Stanislavski describes the beginnings of his work on formulating a " system " of teaching acting, which eventually led him to write his famous books on acting, which in English are called " An Actor Prepares ", " Building a Character " and " Creating a Role ".
  • Well, all actors must suffer from a touch of that, I suppose, but this was a case of an actor preparing to go in front of a camera and knowing he will only be shot above the waist _ rather in the manner that Peter Sissons is known to wear only his Y-fronts on hot summer evenings.
  • The danger that such an arrangement would obscure the mutual interdependence of these parts in the psycho-physical approach; as it turned out, however, he never wrote the overview and many English-language readers came to confuse the first volume on psychological processes published in a heavily abridged version in the USA as " An Actor Prepares " ( 1936 )  with the'system'as a whole.
  • In the two preceding installments, " An Actor Prepares " ( 1936 ) and " Building a Character " ( 1948 ), Stanislavski describes ways in which an actor imagines the lived experience of their character, and then expresses that inner life and persona through speech and movement . " Creating a Role " applies these principles to rehearsal, in which the actor improves their understanding of the role, and how it fits the script.
  • He ends the book with a chapter entitled " Conclusions and the Future ", in which he discusses several of his conclusions about the art of acting and his " system ", which as he states, consists of two parts : 1-an actor's internal and external work on himself ( " An Actor Prepares " ), 2-an actor's internal and external work on a role ( " Building a Character " and " Creating a Role " ).