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seconda pratticaの例文

例文モバイル版
  • The introduction is also important in the history of music theory, as it contains the first attempt to describe the figured bass of the basso continuo style of the seconda prattica.
  • Giulio Caccini and Jacopo Peri claimed that she had sung their music, in order to help their claims to supremacy in composition, as well as to being the best writers in the " seconda prattica " style.
  • In addition, he showed a preference for a declamatory, homophonic style, which he refined later in his career into a " seconda prattica " manner influential on Monteverdi, and he also showed a liking for high voices  something which turned out to be a defining characteristic of the music-making at the Este court in Ferrara.