devreeの例文

• The defense was led by end Todd DeVree of Hillsdale College.
• In 1941 Howard Devree reviewed a second solo exhibition at Artists Gallery.
• Colorado has 16 known oral commitments, not including tight end Tyson DeVree, who is transferring from Western Michigan.
• The first was a four-yard pass to Tyson DeVree and the second a 25-yard pass to Dusty Sprague.
• His improved wrestling and ground skills showed during his fight with Jacob DeVree at Bellator 46, which he won by third round submission.
• Leigh Tiffin kicked a field goal as the Crimson Tide lead 30 & ndash; 17, though Cody Hawkins and Tyson DeVree would connect on another passing touchdown.
• A keen observer, he eliminates scrupulously without distortion of his material . " Devree later called Margules " one of our most daring experimentalists in the medium ""
• Buffaloes freshman quarterback Cody Hawkins threw touchdown passes to Tyson DeVree and Dusty Sprague to close the gap, as the Crimson Tide lead 27 & ndash; 14 at halftime.
• In reviewing the show Howard Devree listed it along with others that he deemed to be outstanding, describing it as a " moody monochromatic interpretation of the Jersey meadows ."
• Colorado responded on the following drive with a 14-yard Hawkins touchdown pass to DeVree to cut the Alabama lead to 30 24 with 3 : 51 remaining in the game.
• DeVree was re-signed to the team's practice squad on September 1, released on September 4, and re-signed to the practice squad on September 17.
• Howard Devree of the " New York Times " praised the oils, watercolors, and drawings that Drewes showed in his solo exhibition at the Morton Galleries in 1933.
• Although Howard Devree, critic for the " New York Times ", praised in general terms the paintings she contributed to this show, he was more explicit in discussing a solo exhibition that the same gallery gave her later in the year.
• Art critic Howard Devree wrote in the New York Times ( Nov . 17, 1946 ),  If there has been more earnest and emotional painting shown this season than the somber canvases by Ben Wilson at Galerie Neuf, it has escaped my attention . 
• Elaine de Kooning said that he was " [ w ] idely recognized as one of the most gifted and erudite watercolorists in the country " . " New York Times " critic Howard Devree stated in 1938 that " Margules uses color in a breath-taking manner.
• Writing in the New York Times, Howard Devree remarked on her works'" soundness and restraint, " noted " suggestions of the Miller manner, " but also " a distinct personal note to all her paintings . " His verdict labeled it, " An unusually good first show . " The show was extended beyond its initial closing date.
• In reviewing the first of his shows with that gallery Howard Devree noted a wide range in style, " from almost stereoscopic realism to a misty impression of New Jersey meadows and veritable silver point drawings of great delicacy and technical perfection . " In reviewing the second he added that Goeller found " reluctant beauty " in the landscapes and was able to obtain a " strange mood ."
• Calling it " a Victorian gentleman who has refused to die ", Charlotte Devree in the " New York Times " said that " There is nothing else quite like Gramercy Park in the country . " When the New York City Landmarks Preservation Commission created the Gramercy Park Historic District in 1966, they quoted from John B . Pine's 1921 book, " The Story of Gramercy Park ":
• Regarding the second exhibition, at the Midtown Gallery, Howard Devree, art critic of the " New York Times ", called attention to the quality of her handling of light in a painting of hers called " Aquarium . " Regarding a group exhibition in 1934 at the Montross Gallery, that paper's other critic, Edward Alden Jewell, said she " doubtless needs not to be reminded that her work is academic French modernism, " which, to him, was not praise.
• Writing in December 1938, the " New York Post "'s Jerome Klein praised Gurr's successful handling of varied subjects ( local urban settings, countryside vacations, terror in distant lands ) and in January 1939 Howard Devree noted her " capacity for transmuting homely scenes and incidents of every day life into pictures tinged with a kind of romantic realism and with quiet humor . " The page on which Devree's review appeared was illustrated by a painting of Gurr's called " On the Bridge " which was on view in the show.